How To Become A Successful Sight Reader

Hello again readers. I think I've decided to continue to pursue "How To..." themed blogs for a bit longer, however, I am a musician, and would like to appeal to my fellow musicians for a moment here. I think for a large majority of serious musicians the idea of sight-reading a piece of music, may be no better than that of getting a root canal. I've surely met a handful of lucky individuals who are naturally blessed with sight reading abilities, yet for most of us we lack a strong enough desire to regularly practice the skill. The task is most often forced upon us, when we find ourselves in a situation of crisis, where we are given scores to perform, with no (or minimal) preparation.

First, you must find a new music book (5-10 pieces) that is slightly below your skill level, preferably music you would enjoy and haven't heard (or played) previously. Once acquired, have a seat and open up the book to the first piece. Go through the notes, say their names, and try to take apart the piece a bit without playing it. Begin the piece at a relaxed pace, saying the notes and learning their place. Try not to stop, and keep the slow pace despite mistakes. Always look for things like note patterns and try to read a measure or half ahead. When you get through the piece, replay it until you can identify all notes (and make sure to check the rhythms!).

It can be useful to be away from your instrument for sight-reading practice; simply take out the score, start naming notes and memorizing their shape and position. It can also be useful to intentionally practice unbroken playing when performing a piece, usually the audience will not understand your musical error if they aren't familiar with the piece (stopping a piece is also very unprofessional). It can help to sight read with others to encourage uninterrupted playing. Also remember, again, that rhythm is of paramount importance! I am privileged to take an ear training class (which practices complex rhythms as part of the curriculum), but you must practicing tapping out rhythms on your own. Some of the most common errors to watch out for happen when confusing, or missing, key changes and shifts of time signature (also avoid confusing large note jumps especially those above and below the staff). Lastly, be easy on yourself through this arduous and wearisome process, you're just trying to get better, and can't afford losing focus. Make sure to treat yourself after reading through a piece. Good luck musicians, this is one of the most tedious musical endeavors, but a most rewarding one... make sure to check back here for new posts.